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News / 30 Sep 2024
Unlocking the Power of User-Generated Content: How Artists Can Capitalize on Fan Creativity
News / 04 Sep 2024
The Golden Age of UGC Is Here
News / 28 Aug 2024
Song Sleuth Announces New Deal With Regalías Digitales
News / 30 Jul 2024
What does Luminate’s mid-year report tell us about the growth of UGC?
News / 20 Jun 2024
SPOTIFY’S BUNDLE-GATE EXPLAINED: WHAT IS IT AND HOW IS IT IMPACTING SONGWRITERS?
News / 13 May 2024
What Coachella’s UGC Footprint Tells Us About This Year’s Festival
News / 28 Mar 2024
UGC Hot 100: 7 Songs That Went Viral Thanks To Fans
News / 28 Feb 2024
Show Me The Money: Music Licences And How To Make Sure They’re Working For You
News / 27 Feb 2024
$400M For Songwriters and Publishers: The U.S. Streaming Royalty Rate Decision
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News / 19 Jan 2024
User-Generated Hits: The Viral UGC Tracks That Defined 2023
News / 30 Nov 2023
UK’s This is Music Report Confirms Music Industry Growth
News / 23 Nov 2023
YouTube Announces Updates Targeting AI-Generated Content
News / 02 Nov 2023
Interview – Ryan Rauscher On The Compelling Case For Alternative Payment Models
News / 26 Oct 2023
Song Sleuth Named Finalist At Music Ally SI:X
News / 19 Oct 2023
Decoding Hipgnosis Investment Fund Latest Developments
News / 12 Oct 2023
The Dos and Don’ts of Copyrighting AI Music in the U.S.
News / 05 Oct 2023
5 Lessons We Can Learn from 2023’s Biggest Music Copyright Infringement Cases
News / 21 Sep 2023
A New ‘Artist-Centric’ Model – Where Does The Industry Stand?
News / 07 Sep 2023
The Economics of Music Streaming in the UK – What’s The Latest?
News / 31 Aug 2023
BMI’s Potential Sale: Why It Matters To Songwriters
News / 24 Aug 2023
X’s Latest Moves: New Features and Copyright Challenges
News / 14 Aug 2023
SHOW ME THE MONEY: Everything You Need To Know About Getting Paid Through Royalty Collecting Organisations
News / 09 Aug 2023
SHOW ME THE MONEY: A Complete Guide on Music Royalties
News / 31 Jul 2023
A Comprehensive Guide to Music Investment Funds: Exploring the World of Music Royalty Investments
News / 20 Jun 2023
AI AND UGC: What ‘Fake Drake’ Shows Us About What to Expect from the Nascent AI Boom
News / 16 Jun 2023
Twitter in the Legal Spotlight: Music Publishers Sue the Platform in a $250 Million Lawsuit
News / 28 Apr 2023
Facing The Music Part 3 – The Case For An Alternative Streaming Model
News / 26 Apr 2023
Facing The Music Part 2 – How To Play The Game On Streaming Services
News / 20 Apr 2023
Facing The Music Part 1 – How Has Streaming Transformed The Music Industry?
News / 18 Apr 2023
Live Music Today and In the Future: Westway Lab Insights
News / 17 Mar 2023
Key Takeaways from Spotify’s Stream On Event
News / 09 Mar 2023
A Winning Year for Latin Music and Bad Bunny
News / 02 Mar 2023
HYBE’s Latest Acquisitions Aim to Expand Beyond K-Pop
News / 17 Feb 2023
How is AI Impacting the Music Industry?
News / 15 Feb 2023
Song Sleuth Announces Major Partnership With Warner Chappell Music
News / 14 Feb 2023
TikTok Heating Button: Choosing what goes viral
News / 10 Feb 2023
What is Live Link?
News / 03 Feb 2023
YouTube Shorts: How is monetisation changing, and how will it benefit creators?
News / 19 Jan 2023
Live UGC: What makes fan-made concert videos special?
News / 12 Jan 2023
What is UGSeeker?
News / 22 Dec 2022
New revenue opportunities for music rights owners: TikTok
News / 14 Dec 2022
New revenue opportunities for music rights owners: Twitter
News / 25 Nov 2022
US Record Industry Wins $46.7 Million in Damages in Latest ISP Copyright Infringement Case
News / 24 Nov 2022
The role of investment funds in the music industry
News / 22 Nov 2022
Pinterest strikes music licensing deals with Warner, Merlin and BMG
News / 15 Nov 2022
How can rightsholders claim undiscovered royalties in user-generated content on YouTube?
News / 14 Nov 2022
Keeping Tempo with Ibrahim Maali: the key takeaways
News / 09 Nov 2022
The Party’s Over: What can artists do about politicians using their music?
News / 03 Nov 2022
How can Song Sleuth help identify undiscovered royalties?
News / 01 Nov 2022
Song Sleuth at Digital Music Days 4th edition
News / 28 Oct 2022
StemDrop: TikTok, Syco, Universal, Republic Records and Max Martin’s New Music Discovery Format
News / 11 Oct 2022
PRS for Music announces its biggest payout in 108 years
News / 02 Sep 2022
Streaming services set royalty rates for next four years
News / 30 Aug 2022
The undervalued gem on Youtube – manual claiming
News / 23 Aug 2022
David Hughes joins Song Sleuth team as new strategy advisor
News / 01 Aug 2022
Facebook to share ad revenue from UGC videos with music rightsholders and creators
News / 20 Jul 2022
Publishers and songwriters set to receive rate increase in streaming royalties
News / 03 Jun 2022
T Bone Burnett Announces New Analog Audio Format
News / 11 Mar 2022
The Problem With Audio Fingerprinting
News / 28 Feb 2022
TikTok and music royalties – how does it work
News / 08 Oct 2021
Introducing Song Sleuth
News / 29 Sep 2021
Explainer: what is the ‘credits due’ campaign?
News / 27 Sep 2021
Digesting Facebook’s inaugural widely viewed content report
News / 16 Sep 2021
5 Things To Know About Music Rights
News / 16 Sep 2021
The golden age of UGC and music rights
News / 16 Sep 2021
What Youtube’s Copyright Match Tool Means For Rightsholders
