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News / 28 Apr 2023
Facing The Music Part 3 – The Case For An Alternative Streaming Model
News / 26 Apr 2023
Facing The Music Part 2 – How To Play The Game On Streaming Services
News / 20 Apr 2023
Facing The Music Part 1 – How Has Streaming Transformed The Music Industry?
News / 18 Apr 2023
Live Music Today and In the Future: Westway Lab Insights
News / 17 Mar 2023
Key Takeaways from Spotify’s Stream On Event
News / 09 Mar 2023
A Winning Year for Latin Music and Bad Bunny
News / 02 Mar 2023
HYBE’s Latest Acquisitions Aim to Expand Beyond K-Pop
News / 17 Feb 2023
How is AI Impacting the Music Industry?
News / 15 Feb 2023
Song Sleuth Announces Major Partnership With Warner Chappell Music
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News / 14 Feb 2023
TikTok Heating Button: Choosing what goes viral
News / 10 Feb 2023
What is Live Link?
News / 03 Feb 2023
YouTube Shorts: How is monetisation changing, and how will it benefit creators?
News / 19 Jan 2023
Live UGC: What makes fan-made concert videos special?
News / 12 Jan 2023
What is UGSeeker?
News / 22 Dec 2022
New revenue opportunities for music rights owners: TikTok
News / 14 Dec 2022
New revenue opportunities for music rights owners: Twitter
News / 25 Nov 2022
US Record Industry Wins $46.7 Million in Damages in Latest ISP Copyright Case
News / 24 Nov 2022
The role of investment funds in the music industry
News / 22 Nov 2022
Pinterest strikes music licensing deals with Warner, Merlin and BMG
News / 15 Nov 2022
How can rightsholders claim undiscovered royalties in user-generated content on YouTube?
News / 14 Nov 2022
Keeping Tempo with Ibrahim Maali: the key takeaways
News / 09 Nov 2022
The Party’s Over: What can artists do about politicians using their music?
News / 03 Nov 2022
How can Song Sleuth help identify undiscovered royalties?
News / 01 Nov 2022
Song Sleuth at Digital Music Days 4th edition
News / 28 Oct 2022
StemDrop: TikTok, Syco, Universal, Republic Records and Max Martin’s New Music Discovery Format
News / 11 Oct 2022
PRS for Music announces its biggest payout in 108 years
News / 02 Sep 2022
Streaming services set royalty rates for next four years
News / 30 Aug 2022
The undervalued gem on Youtube – manual claiming
News / 23 Aug 2022
David Hughes joins Song Sleuth team as new strategy advisor
News / 01 Aug 2022
Facebook to share ad revenue from UGC videos with music rightsholders and creators
News / 20 Jul 2022
Publishers and songwriters set to receive rate increase in streaming royalties
News / 03 Jun 2022
T Bone Burnett announces new analog audio format
News / 11 Mar 2022
The problem with audio fingerprinting
News / 28 Feb 2022
TikTok and music royalties – how does it work
News / 08 Oct 2021
Introducing Song Sleuth
News / 29 Sep 2021
Explainer: what is the ‘credits due’ campaign?
News / 27 Sep 2021
Digesting Facebook’s inaugural widely viewed content report
News / 16 Sep 2021
5 things to know about music rights
News / 16 Sep 2021
The golden age of UGC and music rights
News / 16 Sep 2021
What Youtube’s copyright match tool means for rights holders
